Two Australian artists are turning heads Down Under with provocative art depicting human figures with dog heads. The works have inspired debate among Australians, who are asking whether the art is pornographic or a perversion of the senses.
Husband and wife duo Marc and Gillie Schattner, of Sydney, recently wrapped up their latest exhibition, titled "Returning to the Animal Within," featuring 20 paintings and five sculptures of dog-headed humans at play and in repose.
Gillie and Marc Schattner
One of the sculptures depicts two nude dog men knelt over ice cream cones, while another, titled "They Weren't Really in Love but That Didn't Matter," shows a naked dog couple having intercourse.
"Nudity always gives that shock value, but it's a natural, normal thing," Gillie Schattner told AOL News. "And it's a very loving pose they're in," she added, referring to the dog couple.
A third sculpture, portraying a nude dog man on all fours savoring a cup of coffee, has garnered the most attention and criticism for the Schattners. The piece, first displayed in front of a gallery in Sydney in March 2009, is anatomically correct, with a penis that checks in at 40 centimeters.
Within hours of being put on display, the sculpture, dubbed "Good Boy," had drawn the attention of passers-by, some of whom took offense to the work. According to the Sunday Times of Perth, the police were called in to investigate an obscenity charge.
Gillie and Marc Schattner
"Art or Smut?" asked the Daily Telegraph of Sydney. "Dogged by Controversy," read a headline in the West Australian.
When "Good Boy" went on display at a gallery in Perth three months later, gallery owner Linton Partington told WAToday.com.au, "We've had many an angry look and quite a few complaints about the 40-cm penis, but thankfully the people of Perth seem much more open minded than Sydney because so far there's been no visit from the police."
The sculpture, which was excluded from the Schattners' latest exhibition, has been on tour throughout Australia since its introduction, eliciting a mix of smiles, shrugs and the occasional frown.
"Everyone sort of knows him," Gillie said of "Good Boy." "He's infamous."
The Schattners are hoping to find a buyer for "Good Boy," the title of which was inspired by the Schattners' own dog, Moby.
To part with "Good Boy," the Schattners are asking for $25,000. And if that sounds steep, consider this: They have already sold three molds of the dogs engaged in intercourse for more than $15,000 each.
In the next few weeks, the couple will introduce their newest work, a 3-meter-tall fiberglass sculpture of a dog man in a suit stooping to pick up his own dog poop.
Said Gillie of the unnamed piece, "It symbolizes the small gestures we can make to change our environment."
Fiberglass sculpture offers several advantages over other media. It is lightweight, so it can be transported easily and shipped inexpensively. It is also very strong and can withstand the elements if the sculpture is placed outdoors.
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